← “The Master and Margarita”: Chapter by Chapter
Lesson
Lesson 1. Interesting passages and hidden meanings
Understand how Bulgakov reimagines the Gospel story of the execution, what role Matthew Levi plays, and what the storm and darkness over Yershalaim mean.
Bald Mountain: an execution without the familiar Gospel names
What the chapter is about
This is the second Yershalaim chapter (a continuation of the Master's novel). On Bald Mountain, under a scorching sun, three men are executed, among them Yeshua Ha-Nozri. All around are the cordon, the guard led by the centurion Mark Ratslayer, soldiers exhausted by the heat, and onlookers being driven off.
Notice: Bulgakov deliberately avoids canonical Gospel names and details. Golgotha becomes Bald Mountain, Jesus becomes Yeshua Ha-Nozri, and the tone is not hagiographic but sober, “reportorial,” almost historical. This is no retelling of the Gospels but an artistic reimagining: Bulgakov strips away familiar church pathos to show the execution as a real, terrible, routinely cruel event. So the tragedy rings all the more: human, not only religious.
Lesson notes
What the chapter is about
This is the second Yershalaim chapter (a continuation of the Master's novel). On Bald Mountain, under a scorching sun, three men are executed, among them Yeshua Ha-Nozri. All around are the cordon, the guard led by the centurion Mark Ratslayer, soldiers exhausted by the heat, and onlookers being driven off.
Notice: Bulgakov deliberately avoids canonical Gospel names and details. Golgotha becomes Bald Mountain, Jesus becomes Yeshua Ha-Nozri, and the tone is not hagiographic but sober, “reportorial,” almost historical. This is no retelling of the Gospels but an artistic reimagining: Bulgakov strips away familiar church pathos to show the execution as a real, terrible, routinely cruel event. So the tragedy rings all the more: human, not only religious.
The key figure of the chapter
The chapter's human center is Matthew Levi, a former tax collector and Yeshua's only disciple. He failed to save his teacher: while he ran into the city to steal a bread knife, with which he meant either to kill Yeshua out of mercy, sparing him torment, or to fight his way to him, the procession moved on, and he came too late. Powerless, he watches the execution from afar.
Most striking: Levi, worn out by grief, begins to murmur and curse. He begs God to let Yeshua die and end his suffering, and when no death comes, curses God for not hearing. A staggeringly bold episode: a believer in despair rebels against Heaven. Levi is a prototype of the evangelist Matthew, but Bulgakov shows him as a living, suffering, fallible man. Back in chapter 2 Yeshua told Pilate that Levi writes his words down wrongly: even an eyewitness's account gets distorted.
Symbolism that carries meaning
Yeshua's death is accompanied by a gathering storm: the sky turns black, an unnatural darkness falls, a tempest sweeps in. A soldier finishes off the crucified men with a spear thrust, and almost at once a downpour breaks.
This darkness recalls the Gospel darkness at Christ's death, but it is also part of the novel's recurring symbolism. The storm binds the book's three layers: the same May storm passes over Moscow at that moment (recall chapter 11) and returns at the end. Nature answers an innocent man's death. The merciless sun of the agony yields to darkness at the terrible turning point. So Bulgakov joins Yershalaim and Moscow in one storm: guilt, mercy, and retribution are eternal questions.